In press (pending spring 2024): Keelan Overton, “Jane Dieulafoy in Varamin: The Emamzadeh Yahya through a Nineteenth-Century Lens.” Getty Research Journal, no. 19 (2024): 57-91.
Keelan Overton, “Mapping the Safavid/Bijapur/Mughal/Savanur/Mysore/St Andrews Qur’an: A Diachronic Life History.” In Imagined Geographies in the Mediterranean, Middle East, and Beyond, eds. Dimitri Kastritsis, Anna Stavrakopoulou, and Angus Stewart. Cambridge: Center for Hellenic Studies, Harvard University Press, 2023, 111-136.
Keelan Overton and Kimia Maleki, “The Emamzadeh Yahya at Varamin: A Present History of a Living Shrine, 2018-20.” Journal of Material Cultures in the Muslim World 1, no. 1-2 (2020): 120-149. [pdf] [online version: 09 Feb 2021]
Keelan Overton, “Introduction to Iranian Mobilities and Persianate Mediations in the Deccan.” Chapter 1 in Iran and the Deccan: Persianate Art, Culture, and Talent in Circulation, 1400-1700, ed. Keelan Overton, Bloomington, IN: Indiana University Press, 2020, 3-76.
Keelan Overton and Kristine Rose-Beers (with contributions by Bruce Wannell), “Indo-Persian Histories from the Object Out: the St Andrews Qur’an manuscript between Timurid, Safavid, Mughal, and Deccani worlds.” Chapter 10 in Iran and the Deccan: Persianate Art, Culture, and Talent in Circulation, 1400-1700, ed. Keelan Overton. Bloomington, IN: Indiana University Press, 2020, 257-336.
Keelan Overton and Jake Benson, “Deccani Seals and Scribal Notations: Sources for the Study of Indo-Persian Book Arts and Collecting (c. 1400-1680).” In The Empires of the Near East and India: Source Studies of the Safavid, Ottoman, and Mughal Literate Communities, ed. Hani Khafipour. New York: Columbia University Press, April 2019, 554-96. [pdf]
Keelan Overton, “Farrukh Ḥusayn.” Encyclopaedia of Islam, THREE, Leiden and Boston: Brill, 2017, 67-78. [print pdf] [online version]
Keelan Overton, “Filming, Photographing and Purveying in ‘the New Iran:’ The Legacy of Stephen H. Nyman, ca. 1937–42.” In Arthur Upham Pope and A New Survey of Persian Art, ed. Yuka Kadoi. Leiden and Boston: Brill, 2016, 327-70. [pdf]
Keelan Overton, “Bahmanī dynasty.” The Encyclopaedia of Islam, THREE, Leiden and Boston: Brill, 2016, 8-16 [print pdf] [online version]
Keelan Overton, “Vida de Jacques de Coutre: A Flemish account of Bijapuri visual culture in the shadow of Mughal felicity.” In The Visual World of Muslim India: The Art, Culture and Society of the Deccan in the Early Modern Era, ed. Laura Parodi. London: I.B. Tauris, 2014, 233-64. [pdf]
Keelan Overton, “From Pahlavi Isfahan to Pacific Shangri La: Reviving, Restoring, and Reinventing Safavid Aesthetics, c. 1920-40.” West 86th: A Journal of Decorative Arts, Design History, and Material Culture 19, 1 (Spring-Summer 2012): 61-87. [print pdf] [online version]
Keelan Overton, “A History of Ottoman Art History through the Private Database of Edwin Binney, 3rd.” Journal of Art Historiography 6, special volume on “Islamic Art Historiography,” eds. Moya Carey and Margaret Graves (June 2012): 1-19. [pdf]
Keelan Overton. “‘Maid killing a snake’ and ‘Dervish receiving a visitor:’ A Re-examination of Bijapuri masterpieces through the lens of the Lucknow copy.” In Indo-Muslim Cultures in Transition, eds. Alka Patel and Karen Leonard. Leiden: Brill, 2012, 37-60. [pdf]
Keelan Overton, “‘Ali Riza (The Bodleian Painter).” In Masters of Indian Painting I: 1100-1650, eds. Milo Beach, B.N. Goswamy and Eberhard Fischer. Zurich: Artibus Asiae Publishers, 2011, 375-90. [pdf]
